Events and rental

A different wall every week.

A stadium wall is surveyed once and driven for a season. Rental is the other job: a venue the crew has not seen, a wall built on the Tuesday and gone by the Monday, and no quiet week to tune it in. These are the events USM Boarding drove in 2026, with the wall as it was actually configured at each one.

events in one season

countries

on national television

broadcast or streamed

No two of these walls were the same shape. The shallowest was four cabinets deep on a beach; the largest was 229 cabinets in a Swedish show ring. Brussels ran a perimeter and a second tier at two different pitches. Waregem ran the track and the VIP area off one machine. Wavre ran two walls with one of them on an offset.

This is what we can document, not a total. Projects are cleared off the machines after a job, and Rotterdam is already an example: 226 cabinets of P6, and the geometry is gone. The list is the part you can check.

What a touring wall asks for.

Geometry that changes every job. Resolution, cabinet count and the shape of the run are different at every venue on this page, and a few of them are not rectangles at all. Verden was laid out on a free grid, with cabinets placed individually inside the canvas rather than filling it.
More than one wall, one operator. Waregem drove the track and the VIP area together. Brussels drove a P6 perimeter and a P3.9 second tier. Wavre drove two walls with one of them offset from the other. That is one person at one desk, not a machine per screen.
Offsets for a wall nobody designed for software. An offset is the usual reason a temporary rig looks wrong: the wall starts where it starts, not where the canvas does. It is a setting here rather than a rebuild, which is the same feature OH Leuven needed permanently.
A project that travels. The job is built once and carried to the venue, not rebuilt in the truck. Every event on this page was prepared before the crew arrived.
A second machine on hardware you did not specify. Redundancy on the road means a backup you brought yourself, mirroring a master over whatever network the venue has. How the failover behaves is written up in full.

When a camera is pointed at it.

Six of these events went out on national television. Falsterbo was on SVT1 and SVT Play, the hockey World Cup at Wavre was live on NPO 1, the Grand Prix at La Baule went out on beIN Sports, Sporza carried the Sunday Grand Prix at the Stephex Masters and the beach volleyball finals at Nieuwpoort, and Sporza and Eurosport took the world championship finals at Lanaken. Waregem was on the regional broadcaster, and two more were streamed on FEI.TV and ClipMyHorse.TV.

Those are facts about the events, not about us, and we had no part in the coverage. They matter here for one reason: a wall a broadcast camera is pointed at has a harder job than a wall only the crowd sees. It has to hold frame rate exactly, because a wall running slightly off the camera's rate tears or strobes on a slow pan, and it has to do that for hours without one dropped frame that a director will see. Feeding it cleanly is the software's whole job, and these are the walls where that was true.

Tell us what yours does.

If your wall has a quirk the software has to know about, an offset, a second tier, a shape that is not a rectangle, that is a conversation rather than a reason it cannot be done. We have built features for a single venue before.

Talk to us